There are, alas, no shortage of municipalities in the United States
where the citizenry might be expected to revolt if confronted with
an all-nude, all-gay musical revue in their midst. Topeka, Kansas,
let's say, and probably Salt Lake City, and wherever Trent Lott
is from. But Provincetown, Massachusetts? Provincetown, the bustling
beach-front artist's community, the sunlit jewel nestled at the
far eastern tip of Cape Cod, the same Provincetown known as one
of the nation's premiere gay vacation spots? Provincetown, the legendary
home of freethinkers, where Tennessee Williams wrote and Charles
Hawthorne painted and a little something called the Mayflower Compact
was cooked up in the early 1620s?
"It's a very gay place," says one longtime resident. "Not like
a gay ghetto, though--it has a nice mix of gay and straight, happily
coexisting by the sea--you've got people in drag and you've got
baby strollers, all running around together." Among the many, many
shows with gay themes that played on Provincetown's cabaret and
nightclub circuit this summer--shows like the a capella/drag/barbershop
group The Kinsey Sicks and the stand-up comedy of queer community
fave Margaret Cho--was a slight, unpretentious little romp, imported
from New York City, called Naked Boys Singing! With no dialogue,
no plot and no pants, Naked Boys has been a smash for three
years now Off Broadway, and its creators have long since begun the
lucrative process of licensing the show for regional productions.
Versions have been presented without incident in Fort Lauderdale,
Houston, Sydney and, oh yes, Rome.
But when the Provincetown Naked Boys arrived at the Crown
& Anchor Inn on June
 |
SCOTT GRIES/IMAGEDIRECT
|
24, trouble was waiting. The first "cease and desist" order showed
up five days later. According to the normally uncontroversial Provincetown
Department of Regulatory Management, Naked Boys Singing! was
in violation of not one but two town laws.
First, the Crown & Anchor hadn't mentioned on their entertainment
license application that the show had nudity in it. So that's a
licensing bylaws 4.01(d) violation right there. Plus, Naked Boys,
by virtue of its location, had run afoul of a zoning regulation
on "adult entertainment." The bylaw offers no definition of "adult
entertainment," but whatever it is, it better be "at least 500 feet
from any school, playground, museum, church, community center, municipal
building, nursing home or cemetery."
Adam Weinstock--the producer who brought Naked Boys to Provincetown--and
the Crown & Anchor's owners reacted with a collective "Oh, come
on."
"In Provincetown, you can have men in full harness and leather,
right in the middle of the day, walking down the main drag," Weinstock
points out, pausing to add "so to speak" and chuckle at his pun.
"This is at 5 p.m., with the sun out and families walking around.
No hassles."
Weinstock and the Crown & Anchor did not shut down the show; the
naked boys kept singing; the cease-and-desist orders kept on coming.
So did the audience. "When this started, people would say to me,
'What are you going to do?' " Weinstock says, somewhat gleefully.
"I said, 'I'm going to add shows.' We went from six to eight performances
a week--it turned out to be a publicity dream."
Meanwhile, Naked Boys Singing! draped itself in the Bill
of Rights. The Crown & Anchor general manager introduced the musical
each night by reminding people that "if you don't fight for [First
Amendment rights] you can unintentionally give them up." At a thronged
September 4 "show cause" hearing, Crown & Anchor lawyer Kenneth
Tatarian did everything but take off his shoe and bang it on the
podium: "This is a First Amendment case! This case is about nothing
but the First Amendment!"
Were anti-democratic elements in the Provincetown power structure
really trying to shut down the show, which counts among its tunes
politically controversial numbers like "Nothin' But the Radio On"
and a paean to hunky Robert Mitchum? The patriot defense was met
with skepticism by some outside the Naked Boys camp. Like
Judith Oset, permit coordinator at the Department of Regulatory
Management.
"What you have to remember is, this was a town bylaw that was passed:
The town chose by a two-thirds vote to say that we don't want nudity
in these areas. It was passed for a specific reason," Oset points
out. "Look, it doesn't have anything to do with Provincetown having
a liberal outlook or not. There's just some bylaws being broken,
and this department will ticket for that." The "specific reason"
Oset mentions is the peep show (or "Adult Arcade," to those in the
peep show--er, adult arcade business) that someone tried to open
in 1998, which prompted the town to pass the "adult entertainment"
ordinance purportedly violated by Naked Boys Singing!
Also not sold on the Naked Boys free speech defense is Dixie,
a manager over at the Post Office Café, another popular nightspot.
"Their lawyer was trying to press it as a freedom of speech thing,"
says Dixie, and you can practically hear his eyes rolling over the
phone line. "That's not what it was about. It was about their improperly
applying for licensing."
"[The Crown & Anchor] just went about doing the show. They had
a cease-and-desist and they continued to do it using the First Amendment,"
Dixie adds. "It's not a question of freedom of speech, it's a question
of going through the proper channels and taking care of business."
In such complaints, Weinstock catches a whiff of sour grapes. He
also has a prize theory that--despite the city's contention that
an audience complaint prompted their investigation--it was rival
club owners, in Provincetown's crowded summer entertainment market,
who tried to silence his poor naked boys.
"I really don't feel like saying who it was, because there's no
proof," Weinstock says. "But you have to understand that at the
Crown & Anchor--the owners are new. They are what could be considered
upstarts. And here they take out nine pages of advertising in the
Provincetown Magazine, they take these huge ads out, these
young guys with some newfound money that wasn't made in town. The
more established people who have been there longer ..." He pauses
for a second. "It's just very tough to make a go of theater in this
town sometimes."
"I don't know if it was necessarily the cabaret owners per se [who
lodged complaints]," says Dixie at the Post Office Café,
adding hastily that it definitely wasn't them. "It didn't bother
us--but I know there was some animosity among other owners."
Judith Oset at the licensing board flat out denies that other businessmen
were "out to get" the Naked Boys. "I don't put any stock
in that rumor," she says. "They had no influence in what was going
on, other than they're waiting to see the outcome because it certainly
might affect their own businesses." The outcome, when the September
4 hearing at last rolled around (five days before Naked Boys
was set to close anyway) was that the incomplete licensing application
charge was dropped, and the "adult entertainment" bylaw will be
re-examined at the next town meeting.
"Can a theater group do the show Hair here, say, versus
having a peep show or a porno-type activity? It really comes down
to that," Oset says.
In other words, it's time for freethinking Provincetown to take
on one of the oldest questions of all: Is something theater just
because you put it on a stage? Is it adult entertainment just because
it's got a bunch of penises in it?
Of course, as Weinstock points out, a lot of people couldn't even
get a peep. "Thing is, the space at the Crown & Anchor is not even
the greatest space, because the audience seating isn't raked. If
you're out in the eighth row, and you're sitting behind someone,
well--you really can't see dick." 
Ben Winters, a writer in New York, contributes frequently
to In These Times.
|