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Interstate Rambler
What in our collective imagination remains as American as driving? Certainly not baseball, with its transient mercenaries and wild-card playoffs, nor apple pie, which instead of cooling on the countertop is now deep frozen in the supermarket, shipped from some industrial bakery in Terre Haute or Tuscaloosa. Nor even, one suspects, Mom, who messed up the mythology when she dared to work outside the home. Consult the fevered wanderings of our national literature: Sal and Dean's jaunty joyrides in Jack Kerouac's On the Road or the high-speed desert crossings of Joan Didion's Play It As It Lays. Don DeLillo drove in his first novel, Americana, in which David Bell drops out and roars West "in a low cloud of crematory smoke," thinking: "There is nothing more thrilling than the first days of a long journey on wheels into the slavering mouth of an incredible and restless country." Even Vladimir Nabokov, an expat whose third language was English, conjured a double Humbert who left America's highways "defiled with a sinuous trail of slime." None of this is meant to suggest that Larry McMurtry's new travelogue, Roads, is in a class with the best of the nomad novels. McMurtry, in fact, has already written his, Lonesome Dove, in which the men - and I mean men - drove not convertible Mustangs but herds of cattle from atop the saddles of horses, from Mexico to Montana. I mean only to point out that, at least as far back as Huck Finn's great Mississippi River interstate, American writers have been obsessed with the road and that, as this book shows, its possibilities and permutations remain ever renewable.
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