It’s Important I Remember That I’m Avoiding the Footage

Two poems on Tyre Nichols and the spectacle of police-sanctioned Black death.

Cortney Lamar Charleston

Black Lives Matter protestors take to the streets in Southern California. Photo courtesy Robert Schwemmer via Shutterstock. Poetry courtesy of Curbstone Books/Northwestern University Press. All Rights Reserved.

From the police killing of Michael Brown in Ferguson, Mo., on Aug. 9, 2014, to the murder of George Floyd in Minneapolis on May 25, 2020, and most recently the death of Sonya Massey in Springfield, Ill., on July 6, the spectacle of police-sanctioned Black death has been a relentless reel playing on our American news programs and social media feeds. With these killings so firmly and historically rooted in anti-Black racism, it was easy to perceive these high-definition images in the antiquated black-and-white of lynching postcards past, that the output of Black death is an expected outcome of our white-dominated system. 

I don’t disagree with the underlying logic; I, in fact, understand how the mind is wired to look for such easy patterns to reduce its cognitive load. But there are aberrations which frustrate this framework and confuse people who fail to understand conscription and indoctrination, how our allegiances are most genuinely given to inhumane systems operating overhead and not to the human beings beside us breathing shorter breaths with each passing day.

When Tyre Nichols was murdered in Memphis on Jan. 10, 2023 — the event these two poems revolve around — it was no more surprising for being perpetrated by colloquial brothers, policemen who are Black. The system, in the end, is the system. It falls or bodies are felled: the police state, racism, capitalism, imperialism. Take your pick or add another. The truth still applies, but it will not set us free. Only we can do that.

It’s Important I Remember That I’m Avoiding the Footage—

purposefully. But I imagine it

looked like this—

I imagine it looked like safety should by the shape of it, the shade. It should have touched us like a twilight beheld by the sentimental eye— that moment when the officers raised the son who’d fallen off his skateboard to his feet and sent him on his way home. I imagine it so that it is, so that it becomes what was.
It’s Important I Remember That My Employer Cares About My Safety and Well-Being—
there’s a disturbance in the police force in proximity to my assigned office: protesters are anticipated to assemble in Times Square at 7:00 PM and it was critical that I received this civil unrest information. I’m advised to sign up for mobile alerts and follow the instructions of local authorities during this potential life safety event. Reach out to Global Security Operations at ______________. Reach out to People Experience at ______________. Reach out to your manager for support, the message tells me, among other specific details, like who the demonstration organizers are or that the body cam footage will be released in Memphis one hour prior to start time. The automated system is not equipped with enough EQ to account for what my people experience in proximity to my assigned office every single day; in this manner, I know that artificial intelligence is already a match for most of the individuals I meet. I don’t find security in this, but the familiar, at times, can approximate safety or comfort you when you’re exhausted from working, or worrying over whatever you want to call this life event that almost feels like an eventuality.

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Cortney Lamar Charleston is a Pushcart Prize winner and author of Telepathologies (Saturnalia, 2017) and Doppelgangbanger (Haymarket, 2021). His poems featured here will appear in It’s Important I Remember, forthcoming in 2026, courtesy of Curbstone Books/​Northwestern University Press.

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