On October 7, 2024

A year after October 7, In These Times contributor Yousef Aljamal reflects on the complete destruction of Gaza and the deaths of so many friends and family members.

Yousef Aljamal

A poem written before the author's death in an airstrike by the Israeli military.

Refaat Alareer

A months-long investigation found even the smallest hints of dissent are often met with unemployment.

Shane Burley

Columnists

In these excerpts of "Life After Lebanon" and "Waking Up in the Middle of Some American Dreams," June Jordan insists on the ever-present need for coalition building across difference.

Sherell Barbee and June Jordan

Right-wing operatives are channeling the genocide in Gaza into mainstream antisemitism.

Ben Lorber

The disjunction between our political language and political reality reveals the vacuum of thought in the U.S. foreign policy establishment.

Alberto Toscano

A new mother and scholar of forced displacement writes about Israel's mass murder of Palestinian children in Gaza. For this Mother's Day, she is calling for action.

Heba Gowayed

Borders and debt are new instruments of violence in a system that has had many names.

Heba Gowayed

From Eman Abdelhadi

“I showed up for East Palestine because I realized we are not alone.”

Maximillian Alvarez and Molly Crabapple

We share their dreams and aspirations, to tell them that there will be a day when the Palestinian people will live in freedom and dignity.

Yousef Aljamal

The union wave at big U.S. retailers hasn’t yet resulted in first contracts for workers at Trader Joe’s, Starbucks and REI. But unions are proving their value in other ways.

Jeremy Gantz

The text is from the poem “QUADRENNIAL” by Golden, reprinted with permission. It was first published in the Poetry Project. Inside front cover photo by Golden.
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Around the world, government forces regularly attack environmental activists with impunity—and U.S. support.

Alessandra Bergamin

Political repression is on the rise as the state finds new ways to criminalize dissent and collective action.

Adam Federman

Columnists

Director Mohamed Kordofani discusses how the film became a powerful exploration of injustice and reconciliation.

Yassmin Abdel-Magied