Inside ITT

Culture
Jesus Is Tragic
The movie Jesus Camp by Heidi Ewing and Cahel Grady exposes the terrifying power the Christian Right has to indoctrinate and manipulate children.
Anthony Kaufman

Viewpoint
The Importance of Not Getting Over It
A new Book Was the 2004 Presidential Election Stolen? suggests that doctored memory cards on electronic voting machines stole the election.
Joel Bleifuss
Slew of Conservatives Call for Hastert to Resign
Brian Zick
Other Republican On Page Board Faults GOP Leadership For Ignoring the Obvious
Brian Zick
GOP More Concerned with Finding Political Cover Than with Safety of House Pages
Brian Zick
White House Cavalierly Dismisses Foley Sexploitation Scandal As “Simply Naughty Emails”
Brian Zick

Dispatch
Teamsters Face a Contentious Election
As the AFL-CIO split and workers continue to lose ground, the teamesters face a contentious election.
David Moberg
White House Failed to Disclose to 9/11 Commission Tenet Warning to Rice of Imminent Terror Attack
Brian Zick
“State of Denial” - Woodward on 60 Minutes
Brian Zick
Reid: GOP Ignored Foley Sexploitation “To Preserve A Congressional Seat This Election Year&#82
Brian Zick
Pelosi’s Letter to Ethics Committee on Cover Up of the Foley Matter
Brian Zick
“A Self-Protective Desire to Sweep the Problem Under the Rug
Brian Zick
Accessory After the Fact
Brian Zick
Woodward 60 Minutes Preview
Brian Zick
How Many Republicans Knew?
Brian Zick
GOP Congressman Resigns After Exposure of Inappropriate Emails with 16 Year Old Page
Brian Zick
Court Challenge to GOP Pro-Torture/Dictatorship Law
Brian Zick
“Osama bin Laden’s having a great laugh at our expense.”
Brian Zick
Announcing In These Times’ New Agreement with the National Writers Union
Freelance contributors are essential to the quality and success of In These Times and independent media, and this agreement is one way to demonstrate their value to our publication and our commitment to transparency.
For more information about the National Writers Union, visit nwu.org.
Read the full agreement, which reaffirms a floor for the rates of our freelance editorial content, as well as our current rates (which are higher) and submissions guidelines below.