Why the Hell Did the New York Times Just Hire a Climate Denier?

New columnist Bret Stephens writes drivel as the world burns.

Kate Aronoff

One of the people in this photo denies climate science. The other is Lindsay Graham. (Alex Wong/Getty Images)

In late March, the New York Times’ editorial board called President Trump’s move to dismantle Obama-era climate protections deeply dismaying,” citing the rock-solid scientific consensus that without swift action the consequences of climate change — rising seas, more devastating droughts, widespread species extinction — are likely to get steadily worse.” Today the paper announced it has hired a climate denier as an op-ed columnist.

False equivalence has been a fatal flaw in much mainstream climate coverage.

Bret Stephens, currently the Wall Street Journals deputy editorial page editor, has won a Pulitzer Prize. He has also written multiple pieces casting doubt on what in 2014 he called the purported threat of global warming.” In 2010, following a hyped-up pseudo-controversy over a climate researcher’s emails, he cheerfully announced that the secular panic” of global warming is dead, nailed into its coffin one devastating disclosure, defection and re-evaluation at a time.”

Herewith, then, I propose a readers’ contest to invent the next panic,” he urged. It must involve something ubiquitous, invisible to the naked eye and preferably mass-produced.”

To be fair, the New York Times opinion page could use a few fresh voices. And while it may have been nice not to go with yet another Gen X, middle-aged and/​or old white man, contrarian (read: conservative) views do have a place in the national debate.

But whether climate change exists is no longer a debate. False equivalence has been a fatal flaw in much mainstream climate coverage: Offering equal space to two sides of a controversy that doesn’t exist, and has been fueled to the tune of hundreds of millions of dollars by fossil fuel-funded disinformation campaigns.

On the Timesown op-ed page in 2014, climate scientist Michael Mann described how this virulent strain of anti-science infects the halls of Congress, the pages of leading newspapers and what we see on TV.” Tonight, Mann tweeted at the Times, suggesting they make Stephens read his column.

Thanks to this industry-funded anti-science infection, Politicians, economists, journalists and others may have the impression of confusion, disagreement or discord among climate scientists,” science historian Naomi Orestes writes. But after analyzing the abstracts of 928 (928!) peer-reviewed articles about climate change in scientific journals, she determined, that impression is incorrect.”

So when an international panel of leading experts concludes that continued emission of greenhouse gases will cause further warming and … increas[e] the likelihood of severe, pervasive and irreversible impacts for people and ecosystems,” they mean it.

We have an administration whose official position—by all accounts—is to deny that climate change exists, and prop up the industries trying to exacerbate it. To bring up the obvious: EPA administrator Scott Pruitt has sued the agency he now runs 13 times, and a longtime ExxonMobil CEO is now running the State Department (arguably, into the ground).

Trump’s cabinet and their policies are a best-case scenario for the fossil-fuel industry, and a worst-case scenario for the planet and everyone living on it. They justify their destruction on the basis of not just a difference of opinion, but an actual falsity.

If the New York Times wants to hire a conservative, so be it. But the paper of record shouldn’t spread the administration’s lies for it. 

Kate Aronoff is a staff writer at The New Republic and author of Overheated: How Capitalism Broke the Planet — And How We Fight Back. She is co-author of A Planet To Win: Why We Need a Green New Deal and co-editor of We Own the Future: Democratic Socialism—American Style. Follow her on Twitter @katearonoff.

The text is from the poem “QUADRENNIAL” by Golden, reprinted with permission. It was first published in the Poetry Project. Inside front cover photo by Golden.
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