April 2024 Volume 48, Issue 3
April 2024
Labor
Can Grocery Workers Take Back Their Union?
Hamilton Nolan
A 32-Hour Workweek Is Ours for the Taking
Sarah Jaffe
Can Unions Rebuild Our Democracy?
Alex Han
Palestine
The Protest Song the IDF Tried to Silence
Iman Husain
Dispatch
Can Tenants Take Back Bozeman?
Joseph Bullington
Departments
Make a Landlord Cry: Fight for Good Cause Eviction
Dayton Martindale
The Enduring Power of the Boycott
In These Times Editors
DispatchRural America
Can Tenants Take Back Bozeman?
Luxury construction is pushing locals out of their homes, but Bozemanites are not going quietly.
Joseph Bullington
PalestineCulture
The Protest Song the IDF Tried to Silence
More than 40 years after the master copy was seized by Israeli forces, Zeinab Shaath's “The Urgent Call of Palestine” will be reissued on March 26.
Iman Husain
Comics
Hate Capitalism? Love Comics? Boy Do We Have the Post for You
LaborViewpoint
Can Unions Rebuild Our Democracy?
Our institutions have failed to protect democracy. Can unions take up the fight?
Alex Han
PalestineDispatch
In a Victory for Progressives, Chicago Is Now the Largest U.S. City to Call for a Cease-Fire
Mayor Brandon Johnson broke a tie in City Council to pass a cease-fire resolution, making Chicago the latest in a string of cities to demand an end to the assault on Gaza.
Miles Kampf-Lassin
LaborDispatch
The UAW Strike Saved Their Shuttered Plant, But the Fight Is Just Beginning
The revival of the Stellantis plant is a stunning reversal of fortunes for Belvidere, Ill. But workers say they won’t rest until they see the concrete being poured.
Sarah Lazare
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Announcing In These Times’ New Agreement with the National Writers Union
Freelance contributors are essential to the quality and success of In These Times and independent media, and this agreement is one way to demonstrate their value to our publication and our commitment to transparency.
For more information about the National Writers Union, visit nwu.org.
Read the full agreement, which reaffirms a floor for the rates of our freelance editorial content, as well as our current rates (which are higher) and submissions guidelines below.