The Movement for Black Lives Issue Takeover

Culture
‘So Is She Gay?’
Whether or not Elena Kagan is a lesbian shouldn't distract us from a simple fact: America isn't ready for an openly gay Supreme Court judge.
Jeremy Gantz
New Film Brings Awareness to Hydraulic Fracturing
Margaret Smith
Viewpoint
‘O Earth, Pale Mother!’
Slavoj Žižek
Labor
Senate Fights For Billionaire Fund Managers’ Tax Breaks, Blocks Jobless Aid
Art Levine

Labor
Bob King Set to Become UAW President as Calls to Restore Concessions Loom (UPDATED)
Akito Yoshikane

Labor
Defending Workers From a Bad Rap: Challenging Criminal Background Checks
Michelle Chen

Feature
How Does Your Water Glow?
Radioactive waste threatens the integrity of the Ogallala Aquifer.
Laray Polk

Labor
Chinese Sweatshop Model Challenged, but Rulers Strike Back
Roger Bybee
Viewpoint
Hate Corporate Radio? Well Speak Up—the FCC Is Listening
Megan Tady
Comics
infrastructure
August Pollak
Viewpoint
This Summer’s Crop of Media Myths
Susan J. Douglas

Labor
OSHA: Refineries Ignore Safety, Workers Die
Lindsay Beyerstein

Dispatch
Social Security’s Porcupine Politics
Obama's deficit reduction panel isn't afraid of touching the 'third rail' of American politics.
Margaret Smith

Labor
Come March With Us: Congress Hotel Strikers Celebrate 7th Anniversary
Kari Lydersen
Viewpoint
Putting the ‘I’ in the Environment
David Sirota
As World Cup 2010 Begins, A Familiar Paradox for U.S. Fans: Soccer’s (Un)Popularity
Dan Dineen

Labor
Union Deaths Rise Around World, as Recession Heightens Attacks on Labor Rights
Akito Yoshikane
Labor
The ‘Blame the Teacher’ Movement, and the Public-Sector Union Crisis
Richard Greenwald
Announcing In These Times’ New Agreement with the National Writers Union
Freelance contributors are essential to the quality and success of In These Times and independent media, and this agreement is one way to demonstrate their value to our publication and our commitment to transparency.
For more information about the National Writers Union, visit nwu.org.
Read the full agreement, which reaffirms a floor for the rates of our freelance editorial content, as well as our current rates (which are higher) and submissions guidelines below.