November 2012 Volume 36, Issue 11
November 2012
Viewpoint
The Novels We Write For Ourselves
Jane Miller
Voting for Obama with No Illusions
Achy Obejas
‘A Giant Sucking Sound’
Leonard C. Goodman
Frances Fox Piven: For the Welfare of All
Frances Fox Piven
Rich Deserts
Chris Lehmann
The War on Teachers: Pick a Side
Joel Bleifuss
Feature
Rape, Then Red Tape
Ian Lopez
Trans Prisoners Fight Abuse
Toshio Meronek
You Are Not A Loan
Rebecca Burns
Robin Hood Goes To Capitol Hill
Sarah Cobarrubias
A Third-Party Breakthrough
Theo Anderson
Canvassers Gone Wired
David Moberg
Back to School in the Bronx
Jarrett Dapier
Progressive Star of Texas
Theo Anderson
Karen Lewis Drops Knowledge
Jude Ellison Sady Doyle
Fighting Voter Suppression
Brentin Mock
Culture
The Ice Man, Radioactive
Greg Palast
Mothering Hypes
Jude Ellison Sady Doyle
A Heathcliff We Haven’t Seen Before
Michael Atkinson
After the Gold Rush
Danielle McCullough
Viewpoint
The Novels We Write For Ourselves
There's nothing objectionable about the new Anna Karenina film starring Keira Knightley. But she won't be my Anna.
Jane Miller
Viewpoint
Voting for Obama with No Illusions
Four reasons to keep Obama in the White House and Romney out.
Achy Obejas
Culture
The Ice Man, Radioactive
Harold Simmons: the GOP’s $50 million man.
Greg Palast
Viewpoint
‘A Giant Sucking Sound’
While Romney and Obama speechify, behind the scenes they continue to push policies that favor corporate profits over middle-class workers.
Leonard C. Goodman
Viewpoint
Frances Fox Piven: For the Welfare of All
The Left needs to proudly support social welfare.
Frances Fox Piven
Viewpoint
Rich Deserts
Our new cult of money ensures that breeding shall evermore speak to breeding.
Chris Lehmann
Viewpoint
The War on Teachers: Pick a Side
In Chicago, the teachers' strike was hugely popular. In the national media, it was maligned.
Joel Bleifuss
Culture
Mothering Hypes
Jessica Valenti's new book debunks myths maternal.
Jude Ellison Sady Doyle
Culture
A Heathcliff We Haven’t Seen Before
Crafty casting turns Wuthering Heights into a love story haunted by the guilt and ghosts of slavery.
Michael Atkinson
Culture
After the Gold Rush
An artist turns a vacant house into a confrontational sculptural object.
Danielle McCullough
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